ABSTRACT
This paper examines the criminal justice activism of tennis star Naomi Osaka as it evolved during the COVID-19 pandemic regarding matters of police violence and racial justice. Calls to reform and defund the police received much attention in the aftermath of the police killing of George Floyd in May 2020. The Floyd killing also motivated Naomi Osaka to begin her criminal justice activism, which has generally been very well received. Adopting a constructionist perspective, I investigate how Osaka's criminal justice activism has, in the broader context of the development of celebrity culture, been subjectively motivated and inter-subjectively received by the public and in the news media. Theoretically this paper has the two-fold objective of developing a model of the conditions favorable to the successful reception of celebrity activism and, additionally, of suggesting how such criminologically relevant activism can be understood in terms of a process of celebritization of criminal justice and police reform as causes worthy of attention. This case study of Osaka's criminal justice activism reveals the important role a celebrity can play in influencing public sentiments about key aspects of policing and crime control as an important element of criminal justice culture.
ABSTRACT
I argue that the COVID-19 pandemic presents an opportunity for sociologists and other social scientists to focus their scholarship on this apparently new event, while applying theoretical and methodological traditions that were established during pre-pandemic times. I substantiate this argument by critically reviewing published sociological research on COVID-19, especially as it developed early on during the pandemic, in the light of the historical development and original ambitions of sociology and other social sciences. Evaluating these contributions, I make a case for the value of a collaborative notion of interdisciplinarity to analyze the multi-dimensional dynamics of the COVID-19 pandemic from the viewpoint of various disciplines. On the basis of sociological work on celebrity culture during the pandemic, I argue that this task can be accomplished without resorting to all too readily made judgments concerning the unprecedented nature of the pandemic. Studying the multiple dimensions of the pandemic, each of the social sciences can usefully contribute to interdisciplinary research by relying on the proven perspectives of their respective disciplinary orientations and specialty areas.
ABSTRACT
This paper examines the criminal justice activism of tennis star Naomi Osaka as it evolved during the COVID-19 pandemic regarding matters of police violence and racial justice. Calls to reform and defund the police received much attention in the aftermath of the police killing of George Floyd in May 2020. The Floyd killing also motivated Naomi Osaka to begin her criminal justice activism, which has generally been very well received. Adopting a constructionist perspective, I investigate how Osaka’s criminal justice activism has, in the broader context of the development of celebrity culture, been subjectively motivated and inter-subjectively received by the public and in the news media. Theoretically this paper has the two-fold objective of developing a model of the conditions favorable to the successful reception of celebrity activism and, additionally, of suggesting how such criminologically relevant activism can be understood in terms of a process of celebritization of criminal justice and police reform as causes worthy of attention. This case study of Osaka’s criminal justice activism reveals the important role a celebrity can play in influencing public sentiments about key aspects of policing and crime control as an important element of criminal justice culture.